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The Wakefield Mystery Plays


Titre:Wakefield Mystery Plays; Towneley Mystery Plays
Date:XVe et XVIe siècles
  1. San Marino (USA), Huntington Library, HM 1 [⇛ Description]
Éditions anciennes
Éditions modernes
  • The Towneley Mysteries, [éd. Joseph Stevenson], London, Nichols for the Surtees Society, 1836, xxi + 352 p. + [1] p. de pl. [GB] [IA: ex. 1, ex. 2]
  • Altenglische Sprachproben nebst einem Wörterbuche, unter Mitwirkung von Karl Goldbeck herausgegeben von Eduard Mätzner, Berlin, Weidmannsche Buchhandlung, 1867-1888, 5 t. en 2 vol. (ici t. 1:1, p. 357-371) [IA: t. 1:1, t. 1:2, t. 2:1, t. 2:2, t. 2:3]
    Édition d'un extrait.
  • English Miracle Plays, Moralities and Interludes: Specimens of the Pre-Elizabethan Drama, edited with an introduction, notes and glossary. Second edition, Oxford, Clarendon Press, 1895, 250 p.
  • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Holt (Yale Studies in English, 38), 1909, [v] + xlviii + 319 p. [HT] [IA: ex. 1, ex. 2]
    • English Nativity Plays, edited with introduction, notes, and glossary by Samuel B. Hemingway, New York, Russell and Russell, 1964, [v] + xlviii + 319 p. [IA]
  • Everyman with Other Interludes, Including Eight Miracle Plays, éd. Ernest Rhys, London, Dent; New York, Dutton (Everyman's Library, 381. Poetry and the Drama), 1910, xx + 208 p.
  • A Literary Middle English Reader, edited by Albert Stanburrough Cook, Boston etc., Ginn, 1915, xxviii + 554 p. (ici p. 524-554) [IA: ex. 1, ex. 2]
    Édition d'un extrait.
  • The Wakefield Pageants in the Towneley Cycle, edited by A. C. Cawley, Manchester, Manchester University Press (Old and Middle English Texts, [1]), 1958, xxxix + 187 p.
  • The Wakefield Mystery Plays, edited by Martial Rose, New York, Norton (The Norton Library, N483), [1969], 552 p.
  • The Towneley Plays, re-edited from the unique ms. by George England, with side-notes and introduction by Alfred W. Pollard, London, Kegan Paul, Trench, Trübner and Co. for the Early English Text Society (Early English Text Society. Extra Series, 71), 1897, xxxiv + 418 p. — Réimpr.: London, H. Milford, Oxford University Press, 1952; 1966; New York, Kraus Reprint, 1973.
  • The Towneley Cycle: a facsimile of Huntington MS HM 1, with an introduction by A. C. Cawley and Martin Stevens, Leeds, University of Leeds, School of English (Leeds Texts and Monographs. New Series; Medieval Drama Facsimiles, 2), 1976, xx p. + 132 f. + 1 f. de pl.
  • The Towneley Plays, edited by Martin Stevens and A. C. Cawley, Oxford, Oxford University Press (The Early English Text Society, 13), 1994, 2 t., xlviii + 733 p.
  • Drama from the Middle Ages to the Early Twentieth Century: An Anthology of Plays with Old Spelling, edited by Christopher J. Wheatley, Washington, D.C., The Catholic University of America Press, 2016, xv + 1006 p. (ici p. 26-47)
    Édition d'un extrait.
Traductions modernes
  • en anglais:
    • The Fall and Redemption of Man, selected, arranged and rendered into modern English from the Chester, Coventry, Lincoln, Norwich, Wakefield and York mystery plays by John Bowen, London, Faber, 1968, 112 p.
  • Beadle, Richard, et Alan J. Fletcher, éd., The Cambridge Companion to Medieval English Theatre, Cambridge, Cambridge University Press, 2e éd., 2008, xxi + 398 p.
  • Carey, Millicent, The Wakefield Group in the Towneley Cycle: A Study to Determine the Conventional and Original Elements in Four Plays Commonly Ascribed to the Wakefield Author, Göttingen, Vandenhoeck und Ruprecht (Hesperia. Ergänzungsreihe: Schriften zur englischen Philologie, 11), 1930, iv + 251 p.
  • Dane, Joseph A., Abstractions of Evidence in the Study of Manuscripts and Early Printed Books, Farnham, Ashgate, 2009, viii + 176 p.
  • Diller, H.-J., « The craftsmanship of the Wakefield Master », Medieval English Drama: Essays Critical and Contextual, éd. Jerome Taylor et Alan H. Nelson, Chicago, University of Chicago Press, 1972, p. 325-359.
  • Dunn, E. Catherine, « The medieval "cycle" as history play: an approach to the Wakefield Plays », Studies in the Renaissance, 1, 1960, p. 86-87.
  • Dunn, E. Catherine, « Lyrical form and the prophetic principle in the Towneley Plays », Mediaeval Studies, 23, 1961, p. 80-90.
  • Dunn, E. Catherine, « The prophetic principle in the Towneley Prima Pastorum », Linguistic and Literary Studies in Honor of Helmut A. Hatzfeld, éd. Alessandro S. Crisafulli, Washington, Catholic University of America Press, 1964, p. 117-127.
  • Dunn, E. Catherine, « Voice structure in the liturgical drama: Sepet reconsidered », Medieval English Drama, éd. Jerome Taylor et Alan H. Nelson, Chicago, University of Chicago Press, 1972, p. 44-63.
  • Dunn, E. Catherine, « The literary style of the Towneley plays », American Benedictine Review, 20, 1969, p. 581-604.
  • Frank, Grace, « On the relation between the York and Towneley plays », Publications of the Modern Language Association of America, 44:1, 1929, p. 313-319. DOI: 10.2307/457683
  • Gardner, John, The Construction of the Wakefield Cycle, Carbondale et Edwardsville, Southern Illinois University Press; London et Amsterdam, Feffer and Simons (Literary Structures), 1974, xi + 162 p. [IA]
  • Happé, Peter, The Towneley Cycle: Unity and Diversity, Cardiff, University of Wales Press, 2007, xiv + 290 p.
  • Hohlfeld, Alex., « Die altenglischen Kollektivmisterien, unter besonderer Berücksichtigung des Verhältnisses der York- und Towneley-Spiele », Anglia, 11, 1889, p. 219-310. [DZ] [GB] [HT] [IA: ex. 1, ex. 2]
  • Lyle, Marie C., The Original Identity of the York and Towneley Cycles, Minneapolis, University of Minnesota (Research Publications of the University of Minnesota, 8:3), 1919], iv + 113 p.
  • Lyle, Marie C., « The original identity of the York and Towneley cycles–a rejoinder », Publications of the Modern Language Association of America, 44:1, 1929, p. 319-328. DOI: 10.2307/457684
  • Meyers, Walter E., A Figure Given: Typology in the Wakefield Plays, Pittsburgh, Duquesne University Press (A Modern Humanities Research Association Monograph), [1969], 128 p.
  • Paull, Michael, « The figure of Mahomet in the Towneley Cycle », Comparative Drama, 6, 1972, p. 187-204.
  • Robinson, J. W., Studies in Fifteenth-Century Stagecraft, Kalamazoo, Medieval Institute Publications, Western Michigan University, Western Michigan University (Early Art, Drama, and Music Monograph Series, 14), 1991, xiv + 246 p. + [16] p. de pl.
  • Schmidt, Dieter M., Die Kunst des Dialogs in den Wakefield-Spielen, Frankfurt am Main, Peter Lang (Europäische Hochschulschriften. Reihe 14: Angelsächsische Sprache und Literatur, 82), 1980, 191 p.
  • Traver, Hope, « The relation of musical terms in the Woodkirk shepherds plays to the dates of their composition », Modern Language Notes, 20:1, 1905, p. 1-5. [GB] [HT] [IA] DOI: 10.2307/2917056
Répertoires bibliographiques
Permalien: https://arlima.net/no/3317

Voir aussi:
> Wikidata: Q4814576
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Cette notice est mise à disposition en vertu d'un contrat Creative Commons.
Rédaction: Laurent Brun
Dernière mise à jour: 24 août 2023

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