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John Lydgate

Biographie

Né vers 1370 — Mort vers 1450

Moine bénédictin et écrivain anglais

Certains lui ont également attribué à tort The Assembly of Gods (aussi appelé Reson and Sensuallyte).

Bibliographie

Recueils
  • The Minor Poems of John Lydgate, edited from all available MSS., with an attempt to establish the Lydgate canon by Henry Noble MacCracken, London, Humphrey Milford, Oxford University Press (Early English Text Society. Original Series, 192), 1911-1934, 2 t. [GB: t. 1, t. 2] [IA: t. 1, t. 2]
  • The Chaucerian Apocrypha: a selection edited by Kathleen Forni, Kalamazoo, Medieval Institute Publications (Middle English Texts Series), 2005. [www]
  • Sponsler, Claire, éd., John Lydgate: Mummings and Entertainments, Kalamazoo, Medieval Institute Publications (TEAMS Middle English Text Series), 2010, vi + 185 p.
    Compte rendu: Christine M. Rose, dans The Medieval Review, 09.11.07. [www]
Généralités
  • Adams, Jenny, Power Play: The Literature and Politics of Chess in the Late Middle Ages, Philadelphia, University of Pennsylvania Press (The Middle Ages Series), 2006, [ix] + 252 p. [IA]
    Édition antérieure:
    • Adams, Jenny, Gender, Play, and Power: The Literary Uses and Cultural Meanings of Medieval Chess in the Thirteenth and Fourteenth Centuries, Ph. D. dissertation, University of Chicago, 2000, vii + 202 p. [PQ]
  • Alamichel, Marie-Françoise, « Les trois poètes et la paix: Gower, Hoccleve, Lydgate », De Dante à Rubens: l'artiste engagé, éd. Étienne Anheim et Patrick Boucheron, Paris, Sorbonne, 2020, p. 147-160.
  • Benson, C. David, « Critic and poet: what Lydgate and Henryson did to Chaucer's Troilus and Criseyde », Modern Language Quarterly, 53:1, 1992, p. 23-40.
  • Blake, N. F., « John Lydgate and William Caxton », Leeds Studies in English, 16, 1985, p. 272-289.
  • Blatt, Heather, Participatory Reading in Late-Medieval England, Manchester, Manchester University Press (Manchester Medieval Literature and Culture), 2018, vii + 261 p. [oapen.org]
    Compte rendu: Jennifer N. Brown, dans The Medieval Review, 19.12.15, 2019. [www]
  • Boffey, Julia, « Lydgate, Henryson, and the literary testament », Modern Language Quarterly, 53, 1992, p. 41-56.
  • Boffey, Julia, « Lydgate's lyrics and women readers », Women, the Book and the Worldly: Selected Proceedings of the Saint Hilda’s Conference 1993, éd. Lesley Smith et Jane H. M. Taylor, Cambridge, Brewer, 1995, t. 2.
  • Butterfield, Ardis, « Rough Translation. Charles d'Orléans, Lydgate and Hoccleve », Rethinking Medieval Translation: Ethics, Politics, Theory, éd. Emma Campbell et Robert Mills, Cambridge, Brewer, 2012, p. 204-225.
  • Cooper, Lisa H., Artisans and Narrative Craft in Late Medieval England, Cambridge, Cambridge University Press (Cambridge Studies in Medieval Literature, 82), 2011, xiii + 278 p. [PQ]
    Édition antérieure:
    • Cooper, Lisa H., "These crafty men." Figuring the Artisan in Late Medieval England (William Caxton, Guillaume de Deguileville), Ph. D. dissertation, Columbia University, New York, 2003.
  • Cooper, Lisa H., et Andrea Denny-Brown, éd., Lydgate Matters: Poetry and Material Culture in the Fifteenth Century, New York, Palgrave Macmillan (The New Middle Ages), 2008, [iii] + 223 p.
  • Ebin, Lois A., John Lydgate, Boston, Twayne, 1985.
  • Edwards, A. S. G., « Lydgate's attitudes to women », English Studies, 51, 1971, p. 436-437.
  • Edwards, A. S. G., « Lydgate manuscripts: some directions for future research », Manuscripts and Readers in Fifteenth-Century England: The Literary Implications of Manuscript Study (Essays from the 1981 Conference at the University of York), éd. Derek Pearsall, Cambridge, Brewer, 1983, p. 15-26.
  • Edwards, A. S. G., « Additions and corrections to the bibliography of John Lydgate », Notes and Queries, 7, 1985, p. 450-452.
  • Edwards, Robert R., « Lydgate and the trace of Gower », South Atlantic Review, 79:3-4, 2015, p. 156-170.
  • Faulkner, Mark, et W. H. E. Sweet, « The autograph hand of John Lydgate and a manuscript from Bury St. Edmunds Abbey », Speculum, 87:3, 2012, p. 766-792. DOI: 10.1017/S0038713412002758
  • Galloway, Andrew, « John Lydgate and the origins of vernacular humanism », Journal of English and Germanic Philology, 107, 2008, p. 445-471.
  • Gayk, Shannon, « Images of pity: the regulatory aesthetics of John Lydgate's religious poetry », Studies in the Age of Chaucer, 28, 2006, p. 175-203.
  • Gayk, Shannon, « "Among psalms to fynde a cleer sentence": John Lydgate, Eleanor Hull, and the art of vernacular exegesis », New Medieval Literatures, 10, 2008, p. 165-192.
  • Gerber, Amanda J., Medieval Ovid: Frame Narrative and Political Allegory, New York et Basingstoke, Palgrave Macmillan (Palgrave Pivot; The New Middle Ages), 2015, xvi + 163 p. DOI: 10.1057/9781137482822
  • Hammond, Eleanor Prescott, « Two British Museum manuscripts (Harley 2251 and Adds. 34360). A contribution to the bibliography of John Lydgate », Anglia, 28, 1905, p. 1-28. [DZ] [GB] [HT] [IA: ex. 1, ex. 2, ex. 3] DOI: 10.1515/angl.1905.1905.28.1
  • Hammond, E. P., « Lydgate and Coluccio Salutati », Modern Philology, 25, 1927, p. 49-57.
  • Hill-Vásquez, Heather, « Chaucer's Wife of Bath, Hoccleve's arguing women, and Lydgate's Hertford wives: lay interpretation and the figure of the spinning woman in late medieval England », Florilegium, 23, 2006, p. 169-195.
  • Holzknecht, Karl Julius, Literary Patronage in the Middle Ages, New York, Octagon Books, 1966, vii + 258 p.
    Édition antérieure:
    • Holzknecht, Karl Julius, Literary Patronage in the Middle Ages, Ph. D. dissertation, University of Pennsylvania, Philadelphia, 1923, vii + 258 p. [GB] [IA]
  • Ingram, Jill P., Festive Enterprise: The Business of Drama in Medieval and Renaissance England, Notre Dame, University of Notre Dame Press (ReFormations), 2021, vii + 245 p.
    Compte rendu:
  • Kamath, Stephanie Anne Viereck Gibbs, Unveiling the "I": Allegory and Authorship in the Franco-English Tradition, 1270-1450, Ph. D. dissertation, University of Pennsylvania, University Park, 2006, vii + 293 p. [PQ]
  • Kamath, Stephanie A., et Viereck Gibbs, « John Lydgate and the curse of Genius », Chaucer Review, 45, 2010, p. 32-58.
  • Kennedy, Kathleen E., Maintenance, Meed, and Marriage in Medieval English Literature, New York et Basingstoke, Palgrave MacMillan (The New Middle Ages), 2009, xiii + 185 p. DOI: 10.1057/9780230621626
  • Knapp, Ethan, « Eulogies and usurpations: Hoccleve and Chaucer revisited », Studies in the Age of Chaucer, 21, 1999, p. 247-273.
  • Leff, Amanda, « Lydgate rewrites Chaucer: the General Prologue revisited », Chaucer Review, 46, 2012, p. 472-479.
  • Lowe, Kathryn, « The poetry of privilege: Lydgate's Cartae versificatae », Nottingham Medieval Studies, 50, 2006, p. 151-165.
  • Machan, Tim W., « Textual authority and the works of Hoccleve, Lydgate and Henryson », Viator, 23, 1992, p. 281-299.
  • Mairey, Aude, « La paix civile chez John Lydgate (années 1420-1430) », Fiat pax. Le désir de paix dans la littérature médiévale, éd. Peter Andersen, Fanny Moghaddassi et Muriel Ott, Colloques Fabula, 2023. [fabula.org]
  • McMillan, Samuel F., Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule, Ph. D. dissertation, Pennsylvania State University, University Park, 2016, v + 325 p. [libraries.psu.edu]
  • McMillan, Samuel F., « John Lydgate, Stephen Hawes, and the making of Henry VIII », English Studies, 102, 2021, p. 281-306.
  • McNamer, Sarah, Affective Meditation and the Invention of Medieval Compassion, Philadelphia, University of Pennsylvania Press (The Middle Ages), 2010, viii + 309 p.
    Compte rendu: Ineke van't Spijker, dans The Medieval Review, 10.06.20. [www]
  • Meyer-Lee, Robert J., Poets and Power from Chaucer to Wyatt, Cambridge, Cambridge University Press (Cambridge Studies in Medieval Literature, 61), 2007, xii + 297 p.
  • Nolan, Maura, John Lydgate and the Making of Public Culture, Cambridge, Cambridge University Press (Cambridge Studies in Medieval Literature, 58), 2005, ix + 276 p.
  • Nutall, Jenni, « Lydgate and the Lenvoy », Exemplaria, 30, 2018, p. 35-48.
  • Parkes, M. B., « Patterns of scribal activity and revisions of the text in early copies of works by John Gower », New Science out of Old Books: Manuscripts and Early Printed Books: Essays in Honour of A. I. Doyle, éd. Richard Beadle et A. J. Piper, Aldershot, Scolar, 1995, p. 81-121.
  • Patch, Howard R., The Goddess Fortuna in Mediaeval Literature, Cambridge (USA), Harvard University Press, 1927, xii + 215 p. [GB] [IA]
    Réimpression:
    • Patch, Howard R., The Goddess Fortuna in Mediaeval Literature, New York, Octagon Books, 1967, xii + 215 p. [IA]
  • Patch, Howard Rollin, The Tradition of Boethius: A Study of his Importance in Medieval Culture, New York, Oxford University Press, 1935, xiii + 200 p. [IA]
    Réimpressions:
    • 1963
    • 1970
  • Patterson, Lee, « Making identities in fifteenth-century England: Henry V and John Lydgate », New Historical Literary Study: Essays on Reproducing Texts, Representing History, éd. Jeffrey Cox et Larry J. Reynolds, Princeton, Princeton University Press, 1993, p. 69-107.
  • Pearsall, Derek, John Lydgate, London, Routledge et Kegan Paul (Medieval Authors), 1970, x + 312 p.
  • Pearsall, Derek, « Lydgate as innovator », Modem Language Quarterly, 53, 1992, p. 5-22.
  • Pearsall, Derek, John Lydgate (1371-1449): A Bio-bibliography, Victoria, University of Victoria (English Literary Studies Monograph Series, 71), 1997.
  • Perkins, Nicholas, « Representing advice in Lydgate », The Lancastrian Court: Proceedings of the 2001 Harlaxton Symposium, éd. Jenny Stratford, Donington, Shaun Tyas (Harlaxton Medieval Studies, n. s., 13), 2003, p. 173-191.
  • Reimer, Stephen, « A new Arion. Lydgate on saints, kings, and "good acord" », South Atlantic Review, 79:3-4, 2014, p. 144-155.
  • Renoir, Alain, « Attitudes toward women in Lydgate's poetry », English Studies, 42, 1961, p. 1-14.
  • Robertson, Kellie, Nature Speaks: Medieval Literature and Aristotelian Philosophy, Philadelphia, University of Pennsylvania Press (The Middle Ages Series), 2017, x + 443 p.
  • Rudolph, Karl, Das Verhältnis der beiden Fassungen, in welchen die "Chanson Garin de Monglane" überliefert ist, nebst einer Untersuchung der "Enfances Garin de Monglane", Marburg, Ehrhardt, 1890, 77 p. [GB] [IA]
  • Russell, J. Stephen, The English Dream Vision: Anatomy of a Form, Colombus, Ohio State University Press, 1988, ix + 244 p. [IA]
  • Saygin, Susanne, Humphrey, Duke of Gloucester (1390-1447) and the Italian Humanists, Leiden, Boston et Köln, Brill (Brill's Studies in Intellectual History, 105), 2002, xv + 307 p.
  • Scanlon, Larry, et James Simpson, éd. John Lydgate: Poetry, Culture, and Lancastrian England, Notre Dame, University of Notre Dame Press, 2006, 314 p.
    Compte rendu: Andrea Denny-Brown, dans The Medieval Review, 06.11.07. [TMR]
  • Schirmer, Walter F., John Lydgate: A Study in the Culture of the XVth Century, trans. Ann E. Keep, London, Methuen, 1961.
  • Seymour, Michael C., « Some Lydgate manuscripts: Lives of Saints Edmund and Fremund and Danse macabre », Edinburgh Bibliographical Society Transactions, 5, 1983-1985, p. 10-21.
  • Simpson, James, « Bulldozing the Middle Ages: the case of "John Lydgate" », New Medieval Literatures, 4, 2001, p. 213-242.
  • Sobecki, Sebastian, « Lydgate's kneeling retraction: the testament as a literary palinode », Chaucer Review, 49:3, 2015, p. 265-293.
  • Sobecki, Sebastian, Last Words: The Public Self and the Social Author in Late Medieval England, Oxford, Oxford University Press (Oxford Textual Perspectives), 2020, xi + 226 p.
    Compte rendu: Julia Boffey, dans The Medieval Review, 21.08.16, 2021. [www]
  • Somerset, Fiona, « "Hard is with seyntis for to mak affray": Lydgate the "poet-propagandist" as hagiographer », John Lydgate: Poetry, Culture, and Lancastrian England, éd. Larry Scanlon et James Simpson, Notre Dame, University of Notre Dame Press, 2006, p. 258-278.
  • Spearing, A. C., The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives, Cambridge, Cambridge University Press, 1993, x + 321 p.
  • Strohm, Paul, « Hoccleve, Lydgate and the Lancastrian court », The Cambridge History of Medieval English Literature, éd. David Wallace, Cambridge, Cambridge University Press, 1999, p. 640-661.
  • Sweet, W. H. E., « Lydgate's retraction and "his resorte to his religyoun" », After Arundel: Religious Writing in Fifteenth–Century England, éd. Vincent Gillespie et Kantik Ghosh, Turnhout, Brepols, 2011, p. 343-359.
  • Toynbee, Paget, « The earliest references to Dante in English literature », Miscellanea di studi critici edita in onore di Arturo Graf, Bergamo, Istituto italiano d'arte grafiche, 1903, p. 77-105. [GB] [IA]
  • Tracy, Larissa, « British Library MS Harley 630: Saint Albans and Lydgate », Journal of the Early Book Society, 3, 2000, p. 36-58.
  • Zupitza, J., « Zur Biographie Lydgate's », Anglia, 3, 1880, p. 532. [DZ] [GB: ex. 1, ex. 2] [HT] [IA]
Répertoires bibliographiques
  • Bossuat, Robert, Manuel bibliographique de la littérature française du Moyen Âge. Supplément (1949-1953), avec le concours de Jacques Monfrin, Paris, Librairie d'Argences (Bibliothèque elzévirienne. Nouvelle série: Études et documents), 1955, 150 p. (ici p. 100, no 6932)
  • Edwards, A. S. G., « A Lydgate bibliography, 1928-1968 », Bulletin of Bibliography and Magazine Notes, 27, 1970, p. 95-98.
  • Renoir, A., et C. D. Benson, « John Lydgate », A Manual of Writings in Middle English 1050-1500, éd. Albert E. Hartung, New Haven, Connecticut Academy of Arts and Sciences, 1980, t. 6, p. 2099-2100.
  • The Digital Index of Middle English Verse
  • Vielliard, Françoise, et Jacques Monfrin, Manuel bibliographique de la littérature française du Moyen Âge de Robert Bossuat. Troisième supplément (1960-1980), Paris, Centre national de la recherche scientifique, 1986-1991, 2 t., xii + 1136 p. (ici t. 2, p. 708, nos 6605 et 6608; p. 853, no 7772; p. 947, no 8457)
    Dictionnaires: DEAF Boss2
    Compte rendu: T. 1: Geneviève Hasenohr, dans Bibliothèque de l'École des chartes, 146:1, 1988, p. 194-195. [Pers]
Permalien: https://arlima.net/no/1526


Voir aussi:
> Wikidata: Q662063
> Jonas: intervenant/2818
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Cette notice est mise à disposition en vertu d'un contrat Creative Commons.
Rédaction: Laurent Brun
Dernière mise à jour: 31 décembre 2023

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